Like earlier models though, you can still push the dial in to switch its function, so the same dial can easily control aperture and shutter in manual. Panasonic recommends using an SD card rated at Class 4 or faster for AVCHD, and UHS-I Class Speed 3 (U3) for the 100Mbit 4K UHD and 1080p / 100p / 120p modes. Unlike the GH4 though there’s no 24fps option, nor the chance to record the slightly wider Cinema 4K format, but you can still capture very usable 8 Megapixel stills from 4k footage which makes it a viable alternative for shooting fast action. Continuous performance didn't hit the claimed 12fps speed in our tests, but 9.5fps for 43 frames, slowing to around 1.2fps, is nevertheless an outstanding result. You can also adjust the ISO, white balance, exposure compensation or focus area, and there’s also a Q.Menu button which presents a list of additional options you can remotely change including the flash mode, aspect ratio, resolution, compression, metering mode, photo style or movie quality. The remote control feature is really neat, showing a live image on your phone or tablet’s screen and allowing you to take a photo or start or stop a video recording. Its constant f/2.8 aperture lens raised quality in low light even further. This is as big as many DSLRs, in fact, and dwarfs compact system cameras like those in Panasonic’s own Lumix … In my review I’ve closely compared the two models for stills and video to see which offers the best combination of features, handling, performance and quality for your money. The FZ1000’s continuous AF does a pretty good job of switching focus from the close up copy cup to the flower and then to the bar. Having said that, unlike a DSLR which can rely on its optical viewfinder, the FZ1000 has to power either the electronic viewfinder or the LCD screen as well as the 16x zoom. … An eye sensor is positioned just underneath the FZ1000’s viewfinder so the display automatically switches from the screen to the viewfinder when you raise your eye to it. Another thing to consider is that at the full 400mm telephoto the maximum aperture available on the FZ1000 is f4 (in fact, as I noted earlier, the lens actually closes to f4 at 175mm). Instead you’ll need to adjust the aperture using the thumb dial on the rear which while pleasantly tactile, will click audibly as its turned. The FZ1000’s native 3:2 image shape means that when shooting full-sized stills the image doesn’t quite fill the 4:3 proportioned viewfinder and narrow black bands appear at the top and bottom. Opposite is a view I filmed with both cameras in their 1080p / 25p modes using Aperture Priority at f4 and their base ISOs. On the right side of the body a plastic flap covers the mini HDMI port which is flanked by a USB / A/V out port below and a socket for the DMW-RSL1 wired remote. Panasonic uses the Lumix brand name for a few different styles of camera that come in a wide range of prices, from $200 to $2,500. There’s a slight lag of about half a second or so which is enough to cause you to miss a quick shot, but on the whole it’s not something that bothered me overly. The FZ1000’s lens employs a seven blade aperture system, which Panasonic claims delivers far superior out-of-focus rendering than the FZ200 and the closest focusing distance at wide is the same as the RX10 at 3cm. Beyond remote control or backup, the job of a Wifi camera should simply be to get your photos onto the sharing device as quickly and easily as possible, and in that respect the FZ1000, like earlier Lumix models, works very well. In practice, the quality of the viewfinder is excellent and on a par with the best EVFs fitted to compact system cameras like the Olympus OMD EM1. With snappy performance and a bright, far-reaching 16x optical zoom lens, it offers a lot … As with the GH4, I used a Kingston 32GB U3 card for my tests, rated at 90MB/s for read and 80MB/s for write. To be fair, the approach is not dissimilar to the way most other manufacturers implement direct uploads, but to me it makes more sense to just use NFC / Wifi to copy the image from the camera to a more capable device and upload from there instead. It powered up and captured a photo in under a second, and took just 0.3 seconds between shots – one of the fastest we've ever seen. Compare that to the constant f2.8 focal ratio of the RX10 throughout its range, right up to 200mm. We can only speculate over that, but what I can do is show you what the FZ1000 is capable of. There’s also a raft of other menu setting available in Intelligent auto plus including photo styles, image quality, and single or continuous AF selection. 16x zoom range. The one thing the screen won’t do though is respond to touch. The second problem is before letting you upload anything directly from the camera you’ll first need to register for Panasonic’s free Lumix Club. What you do notice though is a size difference; the RX10 is smaller all round, has cleaner lines and a simpler control layout. All rights reserved. The clip was shot handheld with stabilisation enabled. The viewfinder protrudes quite a long way from the rear body, which is actually an advantage if, like me, you use your left eye – it allows room to access the rear panel controls and avoids smearing the screen with your cheek. I set the aperture to f4 and manually set the sensitivity to 125 ISO. While there are understandably some key differences between the FZ1000 and the GH4, it’s still the first time this degree of video performance has been offered by a super-zoom bridge camera, and importantly the FZ1000 outguns the rival Sony RX10 in this regard. Despite the gap in releases, the basics remain the same. Panasonic has coupled the FZ1000's sensor with a new Venus Engine which the manufacturer claims will dramatically improve the resolution, gradation, colour reproduction and noise … Returning to the coverage for a moment, it’s also worth noting the FZ1000’s 9.12mm widest actual focal length is a tad longer than the 8.8mm of the Sony which, given they share the same sensor size and aspect ratio means the RX10 delivers a fractionally wider field of view in practice. It’s reassuring to find Panasonic deploying the DFD technology outside of the Lumix G series; it implies we may see it on many models in the Lumix range. The Panasonic LUMIX DMC-FZ1000 … The other advantage the electronic shutter confers is faster continuous shooting speeds. The Panasonic Lumix FZ1000 is a DSLR-styled super-zoom camera with a 16x / 25-400mm range, a decent-sized 1in sensor and 4k video recording capabilities. The built-in flash has a maximum range of 13.5 Metres and offers forced on, forced on red-eye, slow sync and slow sync red-eye modes. And though it’s a step up in terms of size and weight on earlier Lumix bridge superzooms, the FZ1000 still doesn’t feel quite as robust as the metal bodied RX10 – certainly it lacks the weather-sealing of the RX10, an important difference for those who intend to use either in inclement conditions. That’s about four stops slower than conventional wisdom suggests is safe, so an excellent performance from the FZ1000 though not quite up to the spectacular results of the earlier FZ200. How about comparing the native 1080p output of the FZ1000 against the Sony RX10? The FZ1000's sensor has the same 1in size and 20-megapixel resolution as the Sony RX10's – most likely it's the same sensor. To test the low light capabilities of the FZ1000 in UHD, I filmed a series of tripod-mounted clips between 800 ISO and the maximum movie sensitivity of 6400 ISO. The FZ1000 features Panasonic’s Power O.I.S stabilisation which moves the lens elements to compensate for camera shake and permit hand-held shots at slower shutter speeds. The FZ1000 outshines the Sony RX10 in this respect, though the RX10’s bracketing is itself pretty good, it provides three frame bracketing at 0.3, 0.7, 1, 2 or 3EV increments, or five frames in 0.3 or 0.7 EV increments with white balance and DRO bracketing also available. It’s just under 2 pound (1.8 to be exact) and 5.39 x 3.88 x 5.15 inches, roughly 2/3 the size of a full-sized Canon or Nikon SLR. For comparison purposes I shot the same clip in UHD using the Cinelike D profile, and then again with the standard profile in 108025p. Moving on, the FZ1000 records 1080p at up to 28Mbit/s in AVCHD or MP4 modes. To test the continuous autofocus on the Lumix FZ1000 I set the focus mode to AFC using 1-Area focussing mode and set the burst mode to M, the fastest available speed with continuous AF, shooting at roughly 7fps. The FZ1000 lacks the Sony RX10’s aperture ring control and that will doubtless be a drawback for some, particularly pro videographers. It’s the ability to capture 4K UHD, and the potential to down-convert it to 1080p which gives the FZ1000 a quality advantage over the RX10. You can retake them if they go wrong, or combine new ones with existing ones if desired. At what point does the FZ1000’s lens begin to slow down optically below f2.8? I set the mode dial to the Creative video mode position and set aperture priority exposure. But when you see an image you like, just tap it and the Lumix Image app will let you save the original to your device or start uploading it to one of the social, sharing or storage services installed on your device. This was thanks in part to spectacular autofocus performance, typically taking a tenth of a second between pressing the shutter button and capturing a shot. The Lumix FZ1000 takes the same DMW-BLC12E battery as the FZ200. There’s only one control wheel, a rear thumb dial, but in its favour it’s much larger and more tactile than the tiny wheels deployed on earlier Lumix cameras – a very welcome upgrade. A lens ring alternates between focus and zoom duties via a switch on the lens barrel. Coupled with the headphone jack, it’s clear the Sony RX10 takes audio more seriously than the FZ1000. If the camera’s mode dial is set to Aperture or Shutter Priority, you can remotely adjust the aperture or shutter speed respectively, and in Manual you can change both. This digital camera review analyses the usability, performance and image quality of the Panasonic Lumix DMC-FZ1000. 25-400mm is a versatile, highly practical zoom range. Below you can see examples of Old days, Rough monochrome, Silky monochrome, Cross process, Toy pop and Bleach bypass. If you’re thinking of upgrading from the FZ200 – trading in the earlier model’s constant aperture longer zoom for a bigger sensor, better viewfinder and more capable video among other things, be prepared to get a bigger camera bag; the FZ200’s dimensions are 125x87x110 and it weighs a mere 588g. Find helpful customer reviews and review ratings for Panasonic Lumix DMC-FZ1000 4K QFHD/HD 16X Long Zoom Digital Camera (Black) + Polaroid 32GB+ Battery + Polaroid 62mm UV Filter + Camera Bag + Cleaning Kit + Screen Protector + Wallet at Of course camera enthusiasts know that Sony’s been deploying its own 20.1 Megapixel 1in sensor in a variety of models including the RX10 and RX100 series. As an Amazon Associate I earn from qualifying purchases. The FZ1000 feels very solidly put together, it’s reassuringly hefty and the size makes for a very comfortable fit in the hand with a generous grip that provides enough room for the bottom three fingers of your right hand to wrap around without your little finger trailing off the bottom or your finger tips pushing against the camera body. The screen is hinged at the side which means it can be positioned at any angle including forward-facing for self-shooting and it can also be folded in on itself for protection when not in use. These areas don’t go to waste though and are used for information display. It was the Sony RX10 that broke the mould for bridge cameras. The Depth from Defocus (DFD) technology isn’t enabled for movie shooting, but the FZ1000 does a respectable job nonetheless. I am however pleased to find the useful time-lapse option of the Lumix G models is present, which, as I’ve said, can be used to generate a movie in-camera following the capture. If your phone / tablet doesn’t have NFC you need to press the Wifi button on the camera (by default assigned to Fn2 on the top of the FZ1000) and either create a new connection, or load one you’ve previously configured. Wifi allows you to wirelessly browse the FZ1000’s images on the larger and more detailed screen of a smartphone, tablet or laptop, copy them onto these devices, upload them to online storage or social media services (either directly or via a smartphone), or become remote-controlled by the free Lumix Image app for iOS or Android devices. Read honest and unbiased product reviews … Plus you can use most of the Creative effects filters with video, the only ones not available are Rough monochrome, Silky monochrome, Soft focus, Star filter and Sunshine. While Apple continues to resist NFC at the time of writing, the technology is becoming widespread in the Android World and beyond. To return it you just push it back down. It’s slightly disappointing that you can’t change the drive mode remotely, that has to be done using the dial on the camera, however once you’ve set a drive mode it is then possible to alter, say, the continuous shooting speed, or self-timer delay. Key Specifications. A Custom Multi mode lets the focus area be defined as a horizontal or vertical line or even a freely assignable array on a 7x7 grid. In my tests, the FZ1000 only offers f2.8 at 25mm. To be fair though, the only cameras I can think of which do have a browser to accept terms and conditions are Sony’s Wifi-equipped models. To maintain a responsive experience which feels like the images are stored locally on your phone or tablet, the camera sends a lower resolution version. The superb images produced with a large 1-inch sensor and all-new lens fully express the limitless depth and … From a full charge you can expect to get 360 shots before it runs out of power, that’s not great by comparison with an entry level DSLR, or even the FZ200 which managed a respectable 540 shots from the same battery. Moving on, you can also use a connected phone or tablet to quickly browse the images in your camera on their bigger screens without having to copy them over first. This profiles the out-of-focus characteristics of the lens to better determine where the point of focus lies. Vari-angle LCD. Perhaps most importantly the view looks more stable with no hint of flicker even at the default 30fps refresh rate. The FZ1000 is a fair size, which might surprise those who assume bridge cameras offer a more compact alternative to DSLRs. Intelligent Auto can tell if the camera is on a tripod and set a slower shutter speed than for hand-held shots and when appropriate it also automatically sets face/eye detect autofocus, backlight compensation, and intelligent ISO, i.resolution, and i.dynamic to enhance images with either additional sharpness or contrast. The FZ1000 boasts nothing less than a 2359k dot OLED viewfinder with 0.7x (35mm equivalent) magnification which is both larger and more detailed than that in the FZ200. The benefit is 1080p footage shares the same horizontal field of view as shooting stills, but the downside is again the potential for moire artefacts from the non-integer scaling factor. If this bothers you there’s an option to increase the refresh rate from the default 30fps to 60fps though at the higher rate the battery will run down more quickly. Panasonic is on a roll. f/4 is still bright for a bridge camera, but it captures half as much light as f/2.8. How is Panasonic getting 4K UHD from a sensor when Sony can’t, or won’t? You can also choose whether to copy images in their original resolution, or in one of two smaller versions. Fn button shooting functions are assigned from the Custom menu. Both modes allow for background defocus – changing the aperture and shutter speed combination to produce more or less depth of field, but Intelligent auto plus also allows exposure compensation and colour balance adjustment using the rear thumb dial. By comparison with the Lumix FZ1000, the Sony RX10’s Wifi implementation is fairly basic. You can achieve the same end result by manually choosing a Wifi network and entering any security by hand, or by scanning a QR code displayed on the camera’s screen using the Panasonic Image App on your phone. Once again this is the same approach employed by the GH4 for 1080p. But even with that taken into account I think it’s clear to see the native 1080p footage can’t compete with the down-sampled UHD in terms of detail, resolution and absence of scaling artefacts. As illustrated in the diagram opposite, the cropping results in a significantly reduced field of view compared to shooting still photos at the native resolution, but the benefit is a complete absence of scaling, thereby allowing the 4k mode on the FZ1000 to avoid the undesirable moire artefacts of most cameras. You’ll then need to start the Lumix Image app, select Wifi as your means of connection, select the FZ1000 network and either enter the password, or simply point your handset’s camera at the QR code. This is more useful than it sounds, allowing you to scan through a day’s shoot without having to remove the card, physically connect the camera or copy any unnecessary files. It’s particularly interesting to note the video differences between the FZ1000 and RX10 as I believe both share the same sensor, and it’s even more curious when you consider Sony’s firmware version 2 for the RX10 only equipped it with a higher bit rate for 1080p (50Mbit XAVC S), meaning it still lacks the 100Mbit 4K UHD of the FZ1000.

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